The Aesthetics and Psychology of the Cinema. Jean Mitry
ISBN: 9780253213778 | 424 pages | 11 Mb
The Aesthetics and Psychology of the Cinema Jean Mitry
Publisher: Indiana University Press
This myopic appraisal of aesthetics ignores the versatility of cinematic art (not to mention the complexity of directing a film), privileging a hierarchical order which favors restraint over extravagance/straightforwardness. In spite of this seeming It is an aesthetic psychology, and that drive for spirituality and desire for realism through art is ancient. Nov 9, 2013 - In his essay, “The Ontology of the Photographic Image,” Andre Bazin champions cinema's ability to present true realism; that is, cinema's innate ability to preserve and project objectively--and honestly--the world as it is in its natural state without the external bias that is ofttimes inevitably attached to human intervention. Jan 2, 2011 - You might be able to make the same argument work with TV and cinema, although an interesting difference is that cinema (at least) is a critically respected art form, whereas comics and popular music are mostly not. Oct 17, 2013 - This course will combine the formal aesthetic analysis of cinema with theoretical texts to investigate the ways that surrealism has been used in film.  Reisz and On national cinema or, all you want to know about India, but are afraid to ask the tourist bureau. Jun 11, 2011 - As per usual, the director situates the notion of psychological terror in an outré manifestation of corporeal abjection offering kineticized melodrama that emphasizes the ramifications of morbid fixation. Due to the visual extravagance of his faults it for its lack of subtlety. Nov 29, 2009 -  Mitry, The Aesthetics and Psychology of the Cinema, 64.  Bazin, The Cinema of Cruelty, 114.